If to be dramatic is to show characters dramatically engaged with each other, motive clashing with motive, the outcome depending upon the resolution of motives, then this scene [the stagecoach scene from Joseph Andrews by Henry Fielding] is dramatic. But if it is to give the impression that the story is taking place by itself, with the characters existing in a dramatic relationship vis-à-vis the spectator, unmediated by a narrator and decipherable only through inferential matching of word to word and word to deed, then this is a relatively undramatic scene.Wayne C. Booth, What Every Novelist Needs to Know about Narrators
An opportunity here for the writer to borrow from the critic. Feeling a lack of drama? Here are two places to look: at the relationships among the characters, and at the relationship between the characters and the reader. Motivations and stakes on the one hand; inevitability of the plot and prominence of the narrator on the other.