Two definitions of “dramatic”

If to be dramatic is to show characters dramatically engaged with each other, motive clashing with motive, the outcome depending upon the resolution of motives, then this scene [the stagecoach scene from Joseph Andrews by Henry Fielding] is dramatic. But if it is to give the impression that the story is taking place by itself, with the characters existing in a dramatic relationship vis-à-vis the spectator, unmediated by a narrator and decipherable only through inferential matching of word to word and word to deed, then this is a relatively undramatic scene.

Wayne C. Booth, What Every Novelist Needs to Know about Narrators

An opportunity here for the writer to borrow from the critic. Feeling a lack of drama? Here are two places to look: at the relationships among the characters, and at the relationship between the characters and the reader. Motivations and stakes on the one hand; inevitability of the plot and prominence of the narrator on the other.

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